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The Entwurff Project 1
Johann Sebastian Bach

Julian Wachner | Concerto München | Tölzer Knabenchor

The Entwurff Project 1

Format: CD
Label: Perfect Noise
UPC: 0719279934229
Catnr: PN 2506
Release date: 17 October 2025
1 CD
 
Label
Perfect Noise
UPC
0719279934229
Catalogue number
PN 2506
Release date
17 October 2025
Album
Artist(s)
Composer(s)
EN
DE

About the album

Over the past six decades, Bach performance practice has evolved through major shifts. In the 1960s, Nicholas Harnoncourt and Gustav Leonhardt pioneered historically informed performances with smaller choirs and period instruments, reshaping the sound and aesthetics of Bach’s music. Later, Joshua Rifkin argued for a more radical approach—one singer per part—sparking debate and new interpretations that influenced conductors like Gardiner, Herreweghe, Suzuki, and Koopman.

The Bach Entwurff Project now proposes a new phase: performing Bach’s cantatas exactly as outlined in his 1730 memorandum Entwurff einer wohlbestallten Kirchen Music. This means choirs of boys and men with three to four voices per part, soloists drawn from the chorus, and period instruments in ensembles of 18–22 players. Unlike H-L or Rifkin, this approach fully honors Bach’s own specifications, producing performances that are both historically rigorous and sonically powerful.

Early reactions, such as Udo Watter’s praise in Süddeutsche Zeitung, hail the results as uniquely transparent yet grand in scale. The project also embraces the raw emotional force of Bach’s cantata texts, leaning into a sacred opera seria sensibility that conductor Julian Wachner emphasizes. In this sense, the Bach Entwurff Project can be seen as Harnoncourt-Leonhardt 2.0—but with stricter fidelity to Bach’s vision, offering what may indeed be the next big step in Bach interpretation.

In den letzten sechs Jahrzehnten hat sich die Aufführungspraxis von Bachs Werken durch bedeutende Veränderungen weiterentwickelt. In den 1960er Jahren leisteten Nikolaus Harnoncourt und Gustav Leonhardt Pionierarbeit für historisch informierte Aufführungen mit kleineren Chören und historischen Instrumenten und prägten damit den Klang und die Ästhetik von Bachs Musik neu. Später plädierte Joshua Rifkin für einen radikaleren Ansatz – einen Sänger pro Stimme –, was eine Debatte und neue Interpretationen auslöste, die Dirigenten wie Gardiner, Herreweghe, Suzuki und Koopman beeinflussten.

Das Bach Entwurff Project schlägt nun eine neue Phase vor: die Aufführung von Bachs Kantaten genau nach den Vorgaben seines Memorandums Entwurff einer wohlbestallten Kirchen Music von 1730. Das bedeutet: Chöre aus Jungen und Männern mit drei bis vier Stimmen pro Stimme, Solisten aus dem Chor und historische Instrumente in Ensembles mit 18 bis 22 Musikern. Im Gegensatz zu H-L oder Rifkin berücksichtigt dieser Ansatz Bachs Vorgaben vollständig und führt zu Aufführungen, die sowohl historisch rigoros als auch klanglich beeindruckend sind.

Erste Reaktionen, wie beispielsweise das Lob von Udo Watter in der Süddeutschen Zeitung, würdigen das Ergebnis als einzigartig transparent und dennoch großartig. Das Projekt greift auch die rohe emotionale Kraft von Bachs Kantate-Texten auf und lehnt sich an eine sakrale Opera seria-Sensibilität an, die Dirigent Julian Wachner betont. In diesem Sinne kann das Bach Entwurff Project als Harnoncourt-Leonhardt 2.0 angesehen werden – allerdings mit einer strengeren Treue zu Bachs Vision, was tatsächlich den nächsten großen Schritt in der Bach-Interpretation darstellen könnte.

Artist(s)

Julian Wachner (conductor)

Having performed all the vocal music written by J.S. Bach, Julian Wachner has distinguished himself as a leading international scholar and interpreter of this repertoire. Currently Wachner is Music Director for the Concerto Vocale Foundation. In March of 2025, Julian Wachner launched the first of a series of historical premiere performances in Munich, Germany featuring Bach cantata works performed according to Bach’s own instructions in his famous Entwurff written in 1730. As Director of Music at New York’s historic Trinity Church Wall Street for over a decade, Wachner quickly established Trinity Church as a world-renowned performing arts center with an annual season numbering hundreds of events. In 2013, he was nominated for a GRAMMY award for his recording on the Musica...
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Having performed all the vocal music written by J.S. Bach, Julian Wachner has distinguished himself as a leading international scholar and interpreter of this repertoire. Currently Wachner is Music Director for the Concerto Vocale Foundation. In March of 2025, Julian Wachner launched the first of a series of historical premiere performances in Munich, Germany featuring Bach cantata works performed according to Bach’s own instructions in his famous Entwurff written in 1730.
As Director of Music at New York’s historic Trinity Church Wall Street for over a decade, Wachner quickly established Trinity Church as a world-renowned performing arts center with an annual season numbering hundreds of events. In 2013, he was nominated for a GRAMMY award for his recording on the Musica Omnia label of Handel’s Israel in Egypt with Trinity Church Wall Street musicians. Based on his achievements, Wachner was appointed artistic director of Michigan’s Grand Rapids Bach Festival in March 2018. Elsewhere in the Early Music world Maestro Wachner has led such ensembles as Seraphic Fire; Philharmonia Baroque; and Apollo’s Fire based in Cleveland, Ohio.
Julian Wachner career also extends to the symphonic and opera repertoire where he has served as guest conductor at elite orchestras around the world. As a frequently commissioned composer and advocate of contemporary music, Maestro Wachner often introduced new works with the Philadelphia Orchestra; the New York Philharmonic and Pittsburgh Symphonies; the Kansas City, Montreal, Pacific, Calgary orchestras, and the Hong Kong Philharmonic. He also made notable appearances with the eclectic Bang on a Can All-Stars and the National Arts Centre Orchestra.
On the opera side, Julian Wachner has lead productions with the San Francisco Opera, Glimmerglass Opera, Hawaii Opera Theater, Juilliard Opera Theater, and New York City Opera, as well as conducted programs for Carnegie Hall Presents, National Sawdust, and the Lincoln Center Festival.
He served as conductor and music director for three Pulitzer-prize winning works (Julia Wolfe’s “Anthracite Fields”, Ellen Reid’s “Prism”, Du Yun’s “Angel’s Bone”). Aside from Israel in Egypt, Julian Wachner received additional GRAMMY nominations in a variety of categories.
A prolific organ recitalist, Wachner was primarily responsible for commissioning three new pipe organs for Trinity Church Wall Street, St. Paul’s Chapel (Columbia University) and the Chapel of All Saints in New York City following years of digital replacements after the devastating events of 9/11.
Wachner’s own compositions have been variously described as “jazzy, energetic, and ingenious,” (Boston Globe), having “splendor, dignity, outstanding tone combinations, sophisticated chromatic exploration…a rich backdrop, wavering between a glimmer and a tingle...,” while the Washington Post described Wachner’s music as “bold and atmospheric,” having “an imaginative flair for allusive text setting,” Most recently, Early Music America noted that “The Vision of the Archangels” album soars and entwines, builds and diminishes, with absolutely gut-wrenching beauty.” As an academic, Wachner earned his doctorate from Boston University and has held faculty positions at the Massachusetts Institute of Technology, Boston University’s School of Theology and at the Schulich School of Music at McGill University where he was a tenured professor. Among his many class offerings, he is well known for his courses investigating the intersection of hermeneutics and liturgy with informed performance practice of J. S. Bach.
Julian Wachner began his career at age 7 when he joined the Choir of Men and Boys at St. Paul’s Cathedral in Buffalo, NY and continued in this field as a lead boy chorister at the St. Thomas Choir School in New York City. There he studied composition, organ and improvisation with Dr. Gerre Hancock. Currently he lives in Indianapolis with his two children, Tallis and Tabitha.
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Composer(s)

Johann Sebastian Bach

Johann Sebastian Bach was a German composer and musician of the Baroque period. He enriched established German styles through his skill in counterpoint, harmonic and motivic organisation, and the adaptation of rhythms, forms, and textures from abroad, particularly from Italy and France. Bach's compositions include the Brandenburg Concertos, the Goldberg Variations, the Mass in B minor, two Passions, and hundreds of cantatas. His music is revered for its technical command, artistic beauty, and intellectual depth.  Bach's abilities as an organist were highly respected during his lifetime, although he was not widely recognised as a great composer until a revival of interest in and performances of his music in the first half of the 19th century. He is now generally regarded as one of the greatest composers of all time.  
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Johann Sebastian Bach was a German composer and musician of the Baroque period. He enriched established German styles through his skill in counterpoint, harmonic and motivic organisation, and the adaptation of rhythms, forms, and textures from abroad, particularly from Italy and France. Bach's compositions include the Brandenburg Concertos, the Goldberg Variations, the Mass in B minor, two Passions, and hundreds of cantatas. His music is revered for its technical command, artistic beauty, and intellectual depth.

Bach's abilities as an organist were highly respected during his lifetime, although he was not widely recognised as a great composer until a revival of interest in and performances of his music in the first half of the 19th century. He is now generally regarded as one of the greatest composers of all time.


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01.
Cantata BWV 78, 'Jesu, der du meine Seele': 1. Coro: Jesu, der du meine Seele
06:13
(Johann Sebastian Bach) Dovlet Nurgeldiyev, Samuel Hasselhorn, Benedikt Siewert, Felix Hofbauer, Nicolas Bader, Iker Jahn Valenzuela, Concerto München, Tölzer Knabenchor
02.
Cantata BWV 78, 'Jesu, der du meine Seele': 2. Aria (Duetto): Wir eilen mit schwachen, doch emsigen Schritten
04:50
(Johann Sebastian Bach) Dovlet Nurgeldiyev, Samuel Hasselhorn, Benedikt Siewert, Felix Hofbauer, Nicolas Bader, Iker Jahn Valenzuela, Concerto München, Tölzer Knabenchor
03.
Cantata BWV 78, 'Jesu, der du meine Seele': 3. Recitativo: Ach! ich bin ein Kind der Sünden
02:21
(Johann Sebastian Bach) Dovlet Nurgeldiyev, Samuel Hasselhorn, Benedikt Siewert, Felix Hofbauer, Nicolas Bader, Iker Jahn Valenzuela, Concerto München, Tölzer Knabenchor
04.
Cantata BWV 78, 'Jesu, der du meine Seele': 4. Aria: Das Blut, so meine Schuld durchstreicht
03:07
(Johann Sebastian Bach) Dovlet Nurgeldiyev, Samuel Hasselhorn, Benedikt Siewert, Felix Hofbauer, Nicolas Bader, Iker Jahn Valenzuela, Concerto München, Tölzer Knabenchor
05.
Cantata BWV 78, 'Jesu, der du meine Seele': 5. Recitativo: Die Wunden, Nägel, Kron und Grab
02:22
(Johann Sebastian Bach) Dovlet Nurgeldiyev, Samuel Hasselhorn, Benedikt Siewert, Felix Hofbauer, Nicolas Bader, Iker Jahn Valenzuela, Concerto München, Tölzer Knabenchor
06.
Cantata BWV 78, 'Jesu, der du meine Seele': 6. Aria: Nun du wirst mein Gewissen stillen
03:00
(Johann Sebastian Bach) Dovlet Nurgeldiyev, Samuel Hasselhorn, Benedikt Siewert, Felix Hofbauer, Nicolas Bader, Iker Jahn Valenzuela, Concerto München, Tölzer Knabenchor
07.
Cantata BWV 78, 'Jesu, der du meine Seele': 7. Choral: Herr, ich glaube, hilf mir Schwachen
01:28
(Johann Sebastian Bach) Dovlet Nurgeldiyev, Samuel Hasselhorn, Benedikt Siewert, Felix Hofbauer, Nicolas Bader, Iker Jahn Valenzuela, Concerto München, Tölzer Knabenchor
08.
Cantata BWV 8, 'Liebster Gott, wenn werd ich sterben': 1. Coro: Liebster Gott, wenn werd ich sterben
06:02
(Johann Sebastian Bach) Dovlet Nurgeldiyev, Samuel Hasselhorn, Benedikt Siewert, Felix Hofbauer, Nicolas Bader, Iker Jahn Valenzuela, Concerto München, Tölzer Knabenchor
09.
Cantata BWV 8, 'Liebster Gott, wenn werd ich sterben': 2. Aria: Was willst du dich, mein Geist
04:13
(Johann Sebastian Bach) Dovlet Nurgeldiyev, Samuel Hasselhorn, Benedikt Siewert, Felix Hofbauer, Nicolas Bader, Iker Jahn Valenzuela, Concerto München, Tölzer Knabenchor
10.
Cantata BWV 8, 'Liebster Gott, wenn werd ich sterben': 3. Recitativo accompagnato: Zwar fühlt mein schwaches Herz Furcht
01:01
(Johann Sebastian Bach) Dovlet Nurgeldiyev, Samuel Hasselhorn, Benedikt Siewert, Felix Hofbauer, Nicolas Bader, Iker Jahn Valenzuela, Concerto München, Tölzer Knabenchor
11.
Cantata BWV 8, 'Liebster Gott, wenn werd ich sterben': 4. Aria: Doch weichet, ihr tollen, vergeblichen Sorgen
05:28
(Johann Sebastian Bach) Dovlet Nurgeldiyev, Samuel Hasselhorn, Benedikt Siewert, Felix Hofbauer, Nicolas Bader, Iker Jahn Valenzuela, Concerto München, Tölzer Knabenchor
12.
Cantata BWV 8, 'Liebster Gott, wenn werd ich sterben': 5. Recitativo: Behalte nur, o Welt, das Meine
01:22
(Johann Sebastian Bach) Dovlet Nurgeldiyev, Samuel Hasselhorn, Benedikt Siewert, Felix Hofbauer, Nicolas Bader, Iker Jahn Valenzuela, Concerto München, Tölzer Knabenchor
13.
Cantata BWV 8, 'Liebster Gott, wenn werd ich sterben': 6. Choral: Herrscher über Tod und Leben
01:43
(Johann Sebastian Bach) Dovlet Nurgeldiyev, Samuel Hasselhorn, Benedikt Siewert, Felix Hofbauer, Nicolas Bader, Iker Jahn Valenzuela, Concerto München, Tölzer Knabenchor
14.
Himmelfahrts-Oratorium/ Ascension Oratorio BWV 11, „Lobet Gott in seinen Reichen': 1.Chorus: Lobet Gott in seinen Reichen
05:12
(Johann Sebastian Bach) Dovlet Nurgeldiyev, Samuel Hasselhorn, Benedikt Siewert, Felix Hofbauer, Nicolas Bader, Iker Jahn Valenzuela, Concerto München, Tölzer Knabenchor
15.
Himmelfahrts-Oratorium/ Ascension Oratorio BWV 11, „Lobet Gott in seinen Reichen': 2. Recitativo: Der Herr Jesu hub seine Hände auf
00:29
(Johann Sebastian Bach) Dovlet Nurgeldiyev, Samuel Hasselhorn, Benedikt Siewert, Felix Hofbauer, Nicolas Bader, Iker Jahn Valenzuela, Concerto München, Tölzer Knabenchor
16.
Himmelfahrts-Oratorium/ Ascension Oratorio BWV 11, „Lobet Gott in seinen Reichen': 3. Recitativo: Ach, Jesu, ist dein Abschied schon so nah
01:04
(Johann Sebastian Bach) Dovlet Nurgeldiyev, Samuel Hasselhorn, Benedikt Siewert, Felix Hofbauer, Nicolas Bader, Iker Jahn Valenzuela, Concerto München, Tölzer Knabenchor
17.
Himmelfahrts-Oratorium/ Ascension Oratorio BWV 11, „Lobet Gott in seinen Reichen': 4. Aria: Ach, bleibe doch, mein liebstes Leben
08:01
(Johann Sebastian Bach) Dovlet Nurgeldiyev, Samuel Hasselhorn, Benedikt Siewert, Felix Hofbauer, Nicolas Bader, Iker Jahn Valenzuela, Concerto München, Tölzer Knabenchor
18.
Himmelfahrts-Oratorium/ Ascension Oratorio BWV 11, „Lobet Gott in seinen Reichen': 5. Recitativo: Und ward aufgehaben zusehends
00:29
(Johann Sebastian Bach) Dovlet Nurgeldiyev, Samuel Hasselhorn, Benedikt Siewert, Felix Hofbauer, Nicolas Bader, Iker Jahn Valenzuela, Concerto München, Tölzer Knabenchor
19.
Himmelfahrts-Oratorium/ Ascension Oratorio BWV 11, „Lobet Gott in seinen Reichen': 6. Choral: Nun lieget alles unter dir
01:30
(Johann Sebastian Bach) Dovlet Nurgeldiyev, Samuel Hasselhorn, Benedikt Siewert, Felix Hofbauer, Nicolas Bader, Iker Jahn Valenzuela, Concerto München, Tölzer Knabenchor
20.
Himmelfahrts-Oratorium/ Ascension Oratorio BWV 11, „Lobet Gott in seinen Reichen': 7. Recitativo: Und da sie ihm nachsahen
02:22
(Johann Sebastian Bach) Dovlet Nurgeldiyev, Samuel Hasselhorn, Benedikt Siewert, Felix Hofbauer, Nicolas Bader, Iker Jahn Valenzuela, Concerto München, Tölzer Knabenchor
21.
Himmelfahrts-Oratorium/ Ascension Oratorio BWV 11, „Lobet Gott in seinen Reichen': 8. Aria: Jesu, deine Gnadenblicke
07:32
(Johann Sebastian Bach) Dovlet Nurgeldiyev, Samuel Hasselhorn, Benedikt Siewert, Felix Hofbauer, Nicolas Bader, Iker Jahn Valenzuela, Concerto München, Tölzer Knabenchor
22.
Himmelfahrts-Oratorium/ Ascension Oratorio BWV 11, „Lobet Gott in seinen Reichen': 9. Choral: Wenn soll es doch geschehen
04:30
(Johann Sebastian Bach) Dovlet Nurgeldiyev, Samuel Hasselhorn, Benedikt Siewert, Felix Hofbauer, Nicolas Bader, Iker Jahn Valenzuela, Concerto München, Tölzer Knabenchor
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